Taipei 101-20180906~20190906: chapter 2
Drawings, animation and a photography book
台北 101-20180906~20190906: 第二章
繪畫，動畫與攝影書
Drawings, animation and a photography book
台北 101-20180906~20190906: 第二章
繪畫，動畫與攝影書
concept
This group of work is part of the ongoing project-Taipei 101-20180906-20190906. All material was collected from 2018/09 to 2019/09.
Whilst researching about cityscape from a touristic view as a local resident but also someone who has been away from Taipei City for a few years, I tried to reconstruct the images and experiences that I had since I got back to Taiwan.
By using photogrammetry, I created two models out of database that I made in 2018 and 2019. I then compare both models on the software and wrote down the variables and data that are different and similar. From taking a closer and rational look at these fractal and abstract images, it is interesting that in 3D image created in 2019 looks less detailed from the solid visualization whereas the 3D images created in 2018 was more realistic and finer. If compare two database I collected in 2018 and 2019, photos increased in ............
The viewer can investigate more in this piece from a series of 3D printed in porcelain and screenprintings made from frottage drawing. The sketch of the frottage drawing is coming from the google map satellite picture of Shin-yi Dist (where the Taipei 101 situates).
I then painted the whole picture with pencil ink, using it as the ink resource whilst doing frottage in every lines in the picture. I aim to finish this frottage until I get no ink from the paper. There are 2 frottage paintings I have finished and the third one is still on-going.
Sculptures are made from photogrammetry image contributed by merely the online photos. Then I 3D printed the image in porcelain again and again and glazed in clear crackle glaze. In the end I got 13 prints. Though the process is almost like printmaking, surprisingly, each of them is not identical. Both sculptures and drawings are made from continuous making process, but I tried to put my 'laboring wonder' in my practice in this certain amount of production work.
概念
此作品為台北都市景觀之TAIPEI 101的一年觀察研究計畫作品，以心理學及觀光產業的視角切入，依據各大旅遊網站的推薦景點排名，挑選在台北市最具觀光代表性的建築TOP 1，在2018年9月6日採集網路圖片數據當作研究組及現場游擊式拍攝照片當作參考組，製作第一個模型，並於2019年9月6日再次採集數據及再次現場搜集照片，製作第二個模型。試圖藉由理性的資料庫分析，把圖像列印出來製作成可觸的物件後，再次從物件研究回去，希望在時間性的差異下，找出生產圖像與其影響環境的關係。
作品可再細分為兩部分，一系列陶瓷雕塑及拓印畫絹印。絹印的藍圖，來自Google台北信義區衛星地圖，列印出地圖後用鉛墨繪製藍圖的背面，運用拓印法一直反覆拓印每一個城市角落細節圖像至紙上，並挑戰描繪到鉛墨耗盡的時刻，完成一版後，再絹印到彈性布上，目前共描繪了兩個版，還在持續進行拓印第三版本中。而3d圖像的製模方法，則是選擇列印陶瓷土，上了透明裂痕效果的釉料後，像版畫一班反覆列印同一模型出來，總共製作出13個模型。這兩種圖像生成方法，各是重複性的反覆製作相同的版，在過程中，因為材料和非機械的製成方式，人為的將勞動的「漫遊」過程，表現在大量的列印雕塑和絹版畫中。
This group of work is part of the ongoing project-Taipei 101-20180906-20190906. All material was collected from 2018/09 to 2019/09.
Whilst researching about cityscape from a touristic view as a local resident but also someone who has been away from Taipei City for a few years, I tried to reconstruct the images and experiences that I had since I got back to Taiwan.
By using photogrammetry, I created two models out of database that I made in 2018 and 2019. I then compare both models on the software and wrote down the variables and data that are different and similar. From taking a closer and rational look at these fractal and abstract images, it is interesting that in 3D image created in 2019 looks less detailed from the solid visualization whereas the 3D images created in 2018 was more realistic and finer. If compare two database I collected in 2018 and 2019, photos increased in ............
The viewer can investigate more in this piece from a series of 3D printed in porcelain and screenprintings made from frottage drawing. The sketch of the frottage drawing is coming from the google map satellite picture of Shin-yi Dist (where the Taipei 101 situates).
I then painted the whole picture with pencil ink, using it as the ink resource whilst doing frottage in every lines in the picture. I aim to finish this frottage until I get no ink from the paper. There are 2 frottage paintings I have finished and the third one is still on-going.
Sculptures are made from photogrammetry image contributed by merely the online photos. Then I 3D printed the image in porcelain again and again and glazed in clear crackle glaze. In the end I got 13 prints. Though the process is almost like printmaking, surprisingly, each of them is not identical. Both sculptures and drawings are made from continuous making process, but I tried to put my 'laboring wonder' in my practice in this certain amount of production work.
概念
此作品為台北都市景觀之TAIPEI 101的一年觀察研究計畫作品，以心理學及觀光產業的視角切入，依據各大旅遊網站的推薦景點排名，挑選在台北市最具觀光代表性的建築TOP 1，在2018年9月6日採集網路圖片數據當作研究組及現場游擊式拍攝照片當作參考組，製作第一個模型，並於2019年9月6日再次採集數據及再次現場搜集照片，製作第二個模型。試圖藉由理性的資料庫分析，把圖像列印出來製作成可觸的物件後，再次從物件研究回去，希望在時間性的差異下，找出生產圖像與其影響環境的關係。
作品可再細分為兩部分，一系列陶瓷雕塑及拓印畫絹印。絹印的藍圖，來自Google台北信義區衛星地圖，列印出地圖後用鉛墨繪製藍圖的背面，運用拓印法一直反覆拓印每一個城市角落細節圖像至紙上，並挑戰描繪到鉛墨耗盡的時刻，完成一版後，再絹印到彈性布上，目前共描繪了兩個版，還在持續進行拓印第三版本中。而3d圖像的製模方法，則是選擇列印陶瓷土，上了透明裂痕效果的釉料後，像版畫一班反覆列印同一模型出來，總共製作出13個模型。這兩種圖像生成方法，各是重複性的反覆製作相同的版，在過程中，因為材料和非機械的製成方式，人為的將勞動的「漫遊」過程，表現在大量的列印雕塑和絹版畫中。
