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Taipei 101-20180906~20210906: chapter 3
36 Taipei 101 Time Sculptures
SLA print
Sculpture installation, dimension variables, 2018-2021
World Competition, Word Repetition I&II
Video installation, 6'35'', dimension variables, 2021
*This series has been selected and displayed at 'Taiwan Annual' from October 9th to October 23rd, 2021.
Show venue is at the FreeS Art Space Gallery
台北 101-20180906~20210906: 第三章
36個台北101時間雕塑
3D列印
雕塑裝置，尺寸依場地而定， 2018-2021
世界的比賽,重複練習 I&II
錄像，6分35秒，2021
*此作品選為聯展'台灣當代一年展一年聚焦評審團獎入圍'參展作品，2021年 10月9日至10月23日展出於福利社空間
36 Taipei 101 Time Sculptures
SLA print
Sculpture installation, dimension variables, 2018-2021
World Competition, Word Repetition I&II
Video installation, 6'35'', dimension variables, 2021
*This series has been selected and displayed at 'Taiwan Annual' from October 9th to October 23rd, 2021.
Show venue is at the FreeS Art Space Gallery
台北 101-20180906~20210906: 第三章
36個台北101時間雕塑
3D列印
雕塑裝置，尺寸依場地而定， 2018-2021
世界的比賽,重複練習 I&II
錄像，6分35秒，2021
*此作品選為聯展'台灣當代一年展一年聚焦評審團獎入圍'參展作品，2021年 10月9日至10月23日展出於福利社空間
concept
Works '36 Taipei 101 Time Sculptures' and 'World Competition, Word Repetition I&II' are part of the ongoing project-Taipei 101-20180906-20210906. All material was collected from 2018/09 to 2021/09. Time sculptures were made from photogrammetry image contributed by merely using the online photos in a monthly order. In '36 Taipei 101 Time Sculptures', I chose Taipei 101 as my primary research subject because it is the most touristic, labeled by most tourist sites as Taipei's must-see attractions. Written event descriptions for each model are for the viewer's reference.
When looking at these sculptures, you are looking at the photo assemblage of a time. This series gave me the idea of how image production and what's happening in the world can have big impact on the internet and the tourist culture. I will then rationalize the relation between the form, size, shape and texture of the sculptures and time events behind each sculpture in order to find connections.
In 'World Competition, Word Repetition I', I aim to use word repetition practice (an acting technique), to provide the most direct reactions when looking at the result models. Though everything is abstract, I want to see where I can dig deeper and find interesting relations in this research—art practice as a social study practice.
'World Competition, Word Repetition II' is built based on the frottage drawing from Taipei 101-20180906~20190906: chapter 1. I made blocks of buildings on top of the drawing plane. Everything is virtual yet belongs to my experience when drawing on the paper. The soundtrack is intended to be like an ad music for real estate sale. I try to create a simulated city with a futuristic vibe.
概念
作品《36個台北時間雕塑》為研究觀光客凝視下的城市景觀長期計畫，於2018年9月至2021年9月三年間，蒐集Google搜尋引擎中所有Taipei 101的照片, 每個月運用程式以照片，依照攝影測量法概念，演算出36個Taipei 101的時間雕塑。企圖在資本主義消費文化的背景下，大量的圖片分享資訊裡，找尋圖像與生產物的關係與脈絡，並列出有關觀光文化的大事紀與世界事件，作為分析圖像的量尺。
當觀看這些雕塑時，其實是觀看著在某特定時間的所有照片集合體，每個月份的照片資料庫與產出的雕塑息息相關，資料庫的多寡、與有沒有重複的照片、清晰度和尺寸都會影響到雕塑生成的各個數據，而照片資料庫又與時事的事件有因果關係。
，
作品《世界的比賽，重複練習》邀請兩位專業演員用梅斯納表演技巧(Meisner Technique) 的重複練習（兩個演員互相描述對方的狀態讓演員掌握自己對外狀態的樣子），重新闡釋24個Taipei 101的時間雕塑。女聲代表觀看者，男聲化身為24個不同的Taipei 101時間雕塑圖像，由互相一來一往的對話中，找出最直覺的觀看與被觀看的反射動作與真實情緒。另一方面，錄像中聲音的集合也帶給觀眾從聽覺到視覺的想像，與影像的操作相呼應。
《世界的比賽，重複練習2》，則為一建構在拓印畫上的台北虛擬城市，建築模型以台北衛星3D圖的房子為原型，用建模軟體，依照繪畫中的線條與格子擺列。音樂則是邀請房地產廣告配音製作人，以推銷虛擬城市房地產為目的配樂，錄像裡有參雜12個雕塑3D圖像，及在虛擬城市中遊走在各個建築巷弄之間的漫遊動畫，試圖給觀者一個有關繪畫、拓墣、虛擬與真實的混沌城市景觀。
Works '36 Taipei 101 Time Sculptures' and 'World Competition, Word Repetition I&II' are part of the ongoing project-Taipei 101-20180906-20210906. All material was collected from 2018/09 to 2021/09. Time sculptures were made from photogrammetry image contributed by merely using the online photos in a monthly order. In '36 Taipei 101 Time Sculptures', I chose Taipei 101 as my primary research subject because it is the most touristic, labeled by most tourist sites as Taipei's must-see attractions. Written event descriptions for each model are for the viewer's reference.
When looking at these sculptures, you are looking at the photo assemblage of a time. This series gave me the idea of how image production and what's happening in the world can have big impact on the internet and the tourist culture. I will then rationalize the relation between the form, size, shape and texture of the sculptures and time events behind each sculpture in order to find connections.
In 'World Competition, Word Repetition I', I aim to use word repetition practice (an acting technique), to provide the most direct reactions when looking at the result models. Though everything is abstract, I want to see where I can dig deeper and find interesting relations in this research—art practice as a social study practice.
'World Competition, Word Repetition II' is built based on the frottage drawing from Taipei 101-20180906~20190906: chapter 1. I made blocks of buildings on top of the drawing plane. Everything is virtual yet belongs to my experience when drawing on the paper. The soundtrack is intended to be like an ad music for real estate sale. I try to create a simulated city with a futuristic vibe.
概念
作品《36個台北時間雕塑》為研究觀光客凝視下的城市景觀長期計畫，於2018年9月至2021年9月三年間，蒐集Google搜尋引擎中所有Taipei 101的照片, 每個月運用程式以照片，依照攝影測量法概念，演算出36個Taipei 101的時間雕塑。企圖在資本主義消費文化的背景下，大量的圖片分享資訊裡，找尋圖像與生產物的關係與脈絡，並列出有關觀光文化的大事紀與世界事件，作為分析圖像的量尺。
當觀看這些雕塑時，其實是觀看著在某特定時間的所有照片集合體，每個月份的照片資料庫與產出的雕塑息息相關，資料庫的多寡、與有沒有重複的照片、清晰度和尺寸都會影響到雕塑生成的各個數據，而照片資料庫又與時事的事件有因果關係。
，
作品《世界的比賽，重複練習》邀請兩位專業演員用梅斯納表演技巧(Meisner Technique) 的重複練習（兩個演員互相描述對方的狀態讓演員掌握自己對外狀態的樣子），重新闡釋24個Taipei 101的時間雕塑。女聲代表觀看者，男聲化身為24個不同的Taipei 101時間雕塑圖像，由互相一來一往的對話中，找出最直覺的觀看與被觀看的反射動作與真實情緒。另一方面，錄像中聲音的集合也帶給觀眾從聽覺到視覺的想像，與影像的操作相呼應。
《世界的比賽，重複練習2》，則為一建構在拓印畫上的台北虛擬城市，建築模型以台北衛星3D圖的房子為原型，用建模軟體，依照繪畫中的線條與格子擺列。音樂則是邀請房地產廣告配音製作人，以推銷虛擬城市房地產為目的配樂，錄像裡有參雜12個雕塑3D圖像，及在虛擬城市中遊走在各個建築巷弄之間的漫遊動畫，試圖給觀者一個有關繪畫、拓墣、虛擬與真實的混沌城市景觀。
