李佩芬是現居於台灣台北的藝術創作者，她的作品主要探討城市疏離的抽象概念。其創作研究涉及田野調查、建築學、心理學及社會學，近年的創作計畫以旅遊為主題切入，利用虛擬社群網路和實地考察的資料庫搜集，結合自身經驗探討城市景觀與人之間的關係，以及探討網路路上的集體圖像分享是如何透過地方特色行銷和旅遊業實際地影響一個地方對外的印象。
她的計畫實踐方法為一彼此無先後順序或重要性多寡且可循環的三個不同流程──「文獻研究、田野調查及資料分析與演繹」。其對一地方的資料研究可溯及歷史或親自於田野調查中採集各種材料（包含影像及聲音），而分析資料則為由資料收集庫的演繹過程，最後作品可視為藝術家感受的經驗或研究過程總和，表現形式不限於繪畫、版畫、複合媒材、錄像裝置、聲音裝置及雕塑。
Pei-Fen Lee (b. 1990) is an artist based in Taipei. Lee's practice examines the psychological effect of disorientation in urbanism. Her research branches out to varied disciplines such as spatial studies, cultural studies, architecture and psychology. In her recent project, she looks at how cities use data and social media to bolster public image through branding and tourism. To be more specific, how the image by being collectively uploaded and shared online physically influences one place by changing the perception of it.
她的計畫實踐方法為一彼此無先後順序或重要性多寡且可循環的三個不同流程──「文獻研究、田野調查及資料分析與演繹」。其對一地方的資料研究可溯及歷史或親自於田野調查中採集各種材料（包含影像及聲音），而分析資料則為由資料收集庫的演繹過程，最後作品可視為藝術家感受的經驗或研究過程總和，表現形式不限於繪畫、版畫、複合媒材、錄像裝置、聲音裝置及雕塑。
Pei-Fen Lee (b. 1990) is an artist based in Taipei. Lee's practice examines the psychological effect of disorientation in urbanism. Her research branches out to varied disciplines such as spatial studies, cultural studies, architecture and psychology. In her recent project, she looks at how cities use data and social media to bolster public image through branding and tourism. To be more specific, how the image by being collectively uploaded and shared online physically influences one place by changing the perception of it.
